Queers of the Desert


Dancing in the Desert (1987-2002)


After the success of the first Central Network party in January 1987 it was only natural that people would want more. And providing a social outlet for the desert's queers had been the primary aim of forming the group anyway. So, over the next two years there began an irregular circuit of parties in people's homes around town with Jim and Bonnie, Jon and Maria, Fluffy, Darren and Dianne, Tim and Candy, and Mark and Andrew, amongst others, lending their premises to the cause. Normally the events were mixed, although some were 'boys only' based on the householder's preference and the separatist mood of queer politics at the time. However, by the middle of 1988, most of the welcome mats were worn out and it was Paul's and my place in the old Eastside that had become party central. That was alright for a while, but growing problems with bad behaviour, gatecrashers, and complaining neighbours soon made the situation untenable.


It was then that Tim and Candy came to the rescue. They were working in the kitchen of a restaurant in the Diarama Village, whose owners were amenable to the idea of making a few extra dollars by opening the bar on Monday nights when the place was normally closed. So, queer dances in Alice had a home at last; Steakarama. The potential for meat and beef puns was unlimited! Given that we now had a venue we also felt the need for a name. The choice seemed obvious. Once a month we would be seeking refuge away from the peering eyes of the town and going completely mad. The first Asylum was held on Monday April 3, 1989 and the first Monday of the month thereafter.

Although the first few dances were organised by a core group of boys, there were also a number of women who quickly became involved. Thus the dances, and Central Network itself, soon grew to be more broadly based in the queer community. Meetings were held in private houses after each dance to plan the next one and roster volunteers. By around 1990 these had shifted to the Oasis on the Monday night following each dance and continued there and at other venues for most of the next decade.

Each month lights were hired and rigged on pillars and beams, chairs and tables cleared, and windows blacked out with plastic garbage bags. A few posters and banners from Mardi Gras entries were hung to create a little atmosphere. The great coup was being able to use our connections inside the casino to borrow their portable dance floor. The four large panels of teak flooring weighed a ton and were a nightmare to transport in the back of our station wagon. But, it was so much better to dance on than the carpet.


Given that we weren't being charged for the venue and drawing about 60 people a time, Asylum soon began to accumulate funds from the $5 door charge after light and sound hire were deducted. While some was put back into building a music library we soon appreciated the benefits of acquiring our own lights. The chief proponents of this scheme were Pete and Craig who had an obsession with putting on a dazzling display. After a short time our income was being exceeded by their ambitions and Pete decided to buy out the lights and make lighting our nights his personal mission. With some surplus funds now available Craig developed his interest in DJing and helped us acquire turntables and a mixing panel, as well as expanding the music library. Over the years the volume of equipment grew to a point where we probably had the best facilities in town.

In those early days it was also considered appropriate to have a show or a theme and some surprising local talent was unearthed. Over the first few dances a local women's country and western group; Prickly Heat, formed and performed as did an a capella group; the Estherterix, and a drag troupe known as the Scenic Attractions; composed of Emily Gap (Paul), Jessie Gap (Darren ) and Trephina Gorge (Andrew) who channelled both the Andrews and Pointer Sisters. But mostly people just wanted to dance and floorshows soon became an irregular event.

For the first few dances liquor laws were also strictly obeyed and the owners provided technically substantial meals for people to enjoy with their drinks. However, as we hadn't aroused the attention of neighbours or police within a few months that was quickly reduced to bowls of chips followed shortly by nothing.

Then, after eight months, disaster struck when the owners of the restaurant announced that they were closing the business. However, we were quickly rescued by Mia Pizza next door who not only took on the staff of Steakarama, but also their partying friends - for a monthly fee. The first Asylum in the new venue was on December 4, 1989 and we continued there for more than a year. After a hugely successful dinner dance for the 1990 AIDS conference on a Saturday night the issue of Monday night dances and subsequent Tuesday sickies came to a head. By September a little negotiation with the owners made it possible to shift to Thursday nights after the dinner trade had departed, and then to Saturday nights by the end of the year. All bar sales and no meals was a good little earner for them.



With the shift to more socially acceptable nights a niggling background problem soon became a major issue. The owners of the restaurant had been inclined to invite a few of their friends along to the Monday night dances. Although the presence of strangers was not especially welcome, they were mostly well-behaved and in limited numbers. And, even though we were paying a nominal hire fee, we weren't given much say in the matter. After the change to Thursday and then Saturday nights even more of the owners' friends grew interested in the unique and exclusive party experience that Asylum offered, and soon the invitation was being extended to the restaurant's customers to remain after dinner and join in the fun as well. At that point, and with consequently plummeting queer attendance the decision was made to take a stand. Push came to shove and the search for a new venue began.

On Friday 3/5/91 the first dance was held in the underground bar of the Sienna Village Motel outside the gap opposite the date farm. With Paul and I having left town for Perth eight months prior, and a change of venue, Craig decided to rename the event in honour of the night, and it became known as Paradise 3591. Despite the change people still insisted on referring to the event as Asylum, much to Craig's chagrin, and eventually the name was restored and persisted for many years.

The underground venue provided a safe haven for an extended period having been purpose built as a bar with dance floor. Like the Diarama Village premises it allowed us to party without waking the neighbours as long as the noise in the car park was kept down. There were also some events held during this time at White Gums; a restaurant that once operated in Honeymoon Gap, 20km to the west of town. Notwithstanding the long and dangerous drive home for partygoers this location made for some spectacular nights including the
25th anniversary dance in September '91 when the MacDonnell Ranges sparkled with reflections from the mirror balls above the dance floor.


In July 1992 Pete organised a special event for Craig's (first) departure from town and gave us access to Old Hamilton Downs Station, 75km northwest of town at the end of a long and treacherous dirt track. Although only a dozen or so brave souls made the long journey out and stayed the night in the bunkhouses it was a great success with disco lighting hanging from the gum trees and raging bonfires.

A year later, after White Gums had closed, the 50th gold Asylum was held at Sienna Village (later to become Settlers Motor Inn) in December 1993. But, a change of management there and issues with their house guests being encouraged to attend meant that a new venue was soon required. So, in 1994 Asylum moved first to a restaurant called Zella's (which became Matango) operating in the front of the Dustbowl bowling alley, and then into the bowling alley itself. While it was strange to say the least, the Dustbowl was licensed and large, and the shoe hire desk made for a great DJ's booth. We also still had possession of the casino's portable dance floor that they had long since forgotten - have party will travel.

Another very special night was organised to celebrate Mardi Gras in 1995 and Central Network took over Trumps Nightclub in the casino using the big screen to watch the delayed parade telecast. Friends on the inside meant it could be invitation only with no cover charge. That year local queers got to have their own Mardi Gras party without leaving Alice.

 
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By 1997 the Dustbowl too had been lost as a venue and Asylum moved briefly to the Red Centre Resort (now a residential complex) on the north Stuart Highway. Then, in the same year a new opportunity presented itself. Bob, who had hired amplifiers and speakers to the group since the beginning and long been inclined to attend the dances himself, shifted his business into a large warehouse in the Smith Street industrial estate. With split-level mezzanine areas accessed by ramps from a large open floor, 'the shed' was home to warehouse parties for almost two years. Without a license the venue operated on a bring-your-own basis with eskies supplied for storage.

Bob allowed his premises, lights and sound to be used free of charge but also insisted on a slice of any entry fee, which consequently jumped substantially. While these arrangements relieved the queer community of the need to do much more than find a DJ from amongst their number and turn up with their drinks, it also effectively handed control of the dances over to commercial interests. As had happened so many times before, it wasn't long before the reputation of the alternative party venue in town spread far and wide and business boomed as straight partygoers invaded the queer space. Although levels of discontent quickly grew, the option of once again picking up all the associated tasks and responsibilities meant it took a long time for the community to act.

When the ways finally parted Asylum drifted between venues for a while. The 10 year anniversary party in June 1999 was held at Settlers Function Rooms and, by the time the 150th dance came around
in November 2001, Witchetty's Bistro in the Araluen Centre was well established as Asylum's latest home. There were also some alternative events being organised by others in town and Escape parties appeared at the Gap Resort and the Memorial Club. Although the parties were not explicitly queer, the organisers were and attracted a crowd who predominantly were as well.

Echoing the success of the 1995 Mardi Gras event at the casino, 2000 also saw the innovation of a large Spin FX dance party at the Pioneer Park racecourse. The following year it was the centrepiece of the inaugural Alice IS Wonderland festival that caused one of the biggest queer controversies in Central Australia's history.

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By 2002 both Asylum and Central Network were looking shaky. The September 2001 attacks on America had sent a shockwave of increased premiums through public liability insurance in Australia and venue operators were no longer happy to extend their coverage to a community group. With the need to sort out such matters a few business-minded community members had taken a closer look at Central Network's operations and realised with some horror that, although it actually held bank accounts, the organisation had never been registered or paid tax. Faced with the demand for constitutions, office holders, elections, audits and a register of members, the community took a few large steps back and sadly watched as the Asylum and Central Network were finally killed by accountancy.

Over the 15 years of its life Asylum gave a great deal to the queer tribes living in what sometimes seemed such a straight wasteland. As well as the obvious cultural outlet it also provided opportunities for locals to develop skills in event management, sound and lighting, and definitely helped start and end a significant number of relationships. Of course there were problems to be dealt with, like finding volunteers each month to set up venues, collect the door charge (even from their friends), and take on the often thankless task of DJ.

But perhaps the biggest and most persistent issue over the years, and one that has plagued many queer communities, concerned letting 'straights' into queer dances. Right from the outset questions over who was queer and who was 'out' were hotly debated, as were issues over which 'queer-friendly' straights were friendly enough, or a bit too much. A recurrent topic in the editorial and letters pages of Desert Dykes, it reached its peak in a 1995 move to institute a register of members and card carrying homosexuals. Unlike the dances, it only lasted a couple of years.
 
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John Hobson

 


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